作为一档文化专题类节目，《映像》强调多视角反映中华民族的文化流变、着眼深度揭示中国民族、民系的居住地貌、衣食住行、风俗习惯、文化传统以及渊源变化等大型纪录片栏目。

作为一档文化专题类节目，《映像》强调多视角反映中华民族的文化流变、着眼深度揭示中国民族、民系的居住地貌、衣食住行、风俗习惯、文化传统以及渊源变化等大型纪录片栏目。

克里夫·欧文饰演一名作家，其创作遇到到瓶颈，江郎才尽，而朱丽叶·比诺什饰演一名画家，同样郁郁不得志，两个人在一所学校里相逢了。分别教写作与绘画的他们展开了一场关于文字和图画谁更有力量的辩论之战。然而在针锋相对的背后，一段不同寻常的恋情也正在酝酿。

训练猎鹰、放牧牦牛、骑着骆驼行走于苍茫天地间，对于生活在都市的人来说，在蒙古西部的游牧生活奇妙得就像一场探险。作者有机会体验了一番当地哈萨克族游牧人的日常生活与独特文化。From Brandon Li

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

训练猎鹰、放牧牦牛、骑着骆驼行走于苍茫天地间，对于生活在都市的人来说，在蒙古西部的游牧生活奇妙得就像一场探险。作者有机会体验了一番当地哈萨克族游牧人的日常生活与独特文化。From Brandon Li

作为第18期结业作品完成的《迷失映像》，讲述在电影拍摄期间女演员突然失踪后，导演因虚构叙事侵蚀现实而陷入混乱的故事。

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.